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Signs of Life in Detroit

Been hearing rumbles of this for a while. The first thing I heard about was some very creative groups working in the area of urban farming, who were leading the country with revolutionary concepts on hanging urban landscapes. It appears that Detroit may be “catching fire” again with creative talent, drawn by the low rent, and possibilities to chart their own space.

Two years ago, the renowned graffiti artist Revok moved from LA to Detroit Josh Harkinson

Graffiti Artist Revok

Detroit may be down… But it ain’t dead quite yet.

How to Bring Detroit Back From the Grave

“Warning! This city is infested by crackheads. Secure your belongings and pray for your life.” So reads a hand-scrawled sign just off I-75 in Detroit, where a post-apocalyptic cityscape of looted and charred homes has come to represent a sort of sarcophagus of the American Dream.

But beyond simply fueling murders and bribery scandals, decades of hard times have finally birthed new signs of life here in the Motor City, as its gritty neighborhoods attract a burgeoning community of artists, hipsters, and socially minded entrepreneurs. “With a little bit of motivation, you can make anything happen here,” says Jason Williams, a.k.a. Revok, a renowned Los Angeles graffiti artist turned Detroiter, whose lively murals adorn walls not far from the crackhead sign. “It’s all about the reality that you create for yourself.”

For those willing to brave the nation’s most dangerous major city, Detroit offers a tight-knit and successful creative community. The birthplace of Motown and techno still manages to turn out chart-busting artists like Eminem and Jack White. And growing numbers of bohemians have found that a few thousand dollars will buy them a classic brick townhouse or a loft in an art-deco skyscraper. Where old buildings have fallen, hundreds of urban gardens sprout.

Detroit is hardly the first city to lure urban homesteaders with access to cheap and artfully crumbling buildings. The same formula revitalized (and eventually gentrified) neighborhoods such as the Williamsburg section of Brooklyn and San Francisco’s Mission and Dogpatch districts. The big difference in Detroit, however, is that its economy blew a rod long ago, triggering an exodus of more than half the city’s population—last year, it lost another 28,000 people. Barely a quarter of those who remain have a degree from a four-year college. During my recent visit, local elected leaders were warning that the city could run out of money—within the week.

Last year, in Guernica magazine, Wayne State literature professor John Patrick Leary cautioned against what he called “Detroitism,” the fetish for urban decay mixed with utopianism, “where bohemians from expensive coastal cities can have the $100 house and community garden of their dreams.” But Detroit offers much more. Here is a city that foretold the woes of America’s middle class—and spent decades searching for a path out of its recessionary wilderness. Forget the clichés about heirloom tomatoes and check out these four examples of creative Detroiters who are making a difference

The Power House Gina Reichert

Meet the Power House and the new “Hood Cat” changing neighborhoods a brick at a time

 
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Posted by on June 16, 2012 in The Post-Racial Life

 

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