Category Archives: Great American Rip-Off

Twerking Attack at DC Gas Station – Women Attack Man

This one is indeed strange…I think the guy was right to be suspicious about what was going on.

Victim of twerking attack at DC gas station speaks out

Two women are accused of sexually abusing a man inside a gas station, and police say they have made one arrest. Surveillance video captured the women “twerking” and touching the man— and that victim is now speaking out to FOX 5.

The man, who has asked not to be identified, said he was getting gas at the Shell station in the 1700 block of New York Avenue NE on October 7 around 4 p.m. when he was attacked. The video shows the women coming over to the man, and then they are seen twerking and groping him. The man said the suspects also flashed him while he pumped gas and followed him as he called police.

“You don’t know who these people are. I was afraid of my safety. Like I said, I thought they were either transvestites, or women, or men dressed like women,” the victim said.

According to the victim, he asked the cashier for help, and the man behind the counter told him, “What do you want me to do?”

The victim said there were men outside of the gas station who he believed to be pimps, and he was concerned about what would happen to him if he acted in self-defense.

“And then, when I had the idea that they were women, I thought they would have a pimp who was pushing them to be prostitutes who could have been outside with one of the gentlemen that were out there watching and witnessing, could have been with guns to come and shoot me. I did not want to be shot that day,” the victim said.

The victim said he is a teacher and does not want to show his face because of the backlash he has received on social media for filing a complaint.

Police arrested 22-year-old Ayanna Marie Knight of Las Vegas on Tuesday. She is facing a third-degree sex abuse charge. The other suspect has not been caught.

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Posted by on November 11, 2015 in Great American Rip-Off


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Redskins WR Pierre Garçon Sues FanDuel

Had thought this was going to happen for a while. The Sports Fantasy games use the players names and likenesses in their advertising, which is key to marketing their business. DraftKings one of the two largest of the gambling enterprises recently cut a deal with the NFL Players Association to compensate the Union through a licensing agreement (although the exact terms are not public), and as such (one would hope) the players downstream. I can’t believe the NFL is far behind on this one, as the games have become massively profitable, and I can’t see the owners not wanting a piece of the pie.

Here’s why an NFL player is suing FanDuel

Amidst ongoing scrutiny of daily fantasy sports companies, Washington Redskins wide receiver Pierre Garçon, through his attorney, filed a class action lawsuit against FanDuel on Friday.

There has been a slew of class action lawsuits brought against FanDuel and its competitor DraftKings in the past few weeks, but they have been brought by users of the companies alleging unfair play by insiders. The lawsuits came in the wake of a major scandal over a DraftKings employee who won $250,000 playing on FanDuel.

But Garçon’s lawsuit is different. It’s not about insider play, nor is it concerned with whether daily fantasy sports is gambling, which has been the focus of recent regulatory scrutiny. It’s about player permission, and whether FanDuel illegally uses player names and likenesses. He has filed it “on behalf” of all NFL players, but for now the suit is coming only from Garçon.

According to a statement released by Garçon’s lawyers, the receiver argues that FanDuel, “knowingly and improperly exploits the popularity and performance of Garçon, along with all the other National Football League (“NFL”) players at offensive skilled positions without their authority or a valid license.”

The complaint also addresses FanDuel’s advertising: “Through a comprehensive television advertising campaign… FanDuel routinely uses the names and likenesses of some of these NFL players without authorization to promote FanDuel’s commercial enterprise.”

In other words, the lawsuit addresses two different realms: the product itself (FanDuel’s website and app, where it uses player names and a small photo of each) and the company’s ads. To the former complaint, there is some legal precedent that favors FanDuel, though it was in a different sport: in 2006 a federal judge ruled that fantasy sports leagues can use the names and likenesses of MLB players. The latter may be the stronger argument for Garçon: Last month, DraftKings scored a deal with the NFL Players’ Associationthat allows the company to use any NFL players in its advertisements with or without the player’s individual permission; this is why DraftKings isn’t part of Garçon’s lawsuit.

FanDuel has no such deal. It has not used Garçon’s face in its advertisements (in fact FanDuel has sought to differentiate its advertising from DraftKings by utilizing regular people, not celebrity spokespeople), but it has shown screens with his name listed among other players.

“I am bringing this lawsuit against FanDuel for using my name, image, and likeness in both daily fantasy contests and through advertising on TV ads and infomercials,” Garçon said in a statement. But as Twitter users were quick to point out on Friday, the suit represents a change of heart by the receiver, who repeatedly shilled for FanDuel in the past, up until one year ago.


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Posted by on November 1, 2015 in Great American Rip-Off


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The History of “Zombies”

The origination of the concept of the “Walking Dead” came from Haiti, It really only has been adopted into the American lexicon in the past 100 years or so. So, on the night before Halloween – the true tale of Zombies…

The original “zombies” were Haitian slaves, condemned to be trapped inside their bodies as slaves forever.

The Tragic, Forgotten History of Zombies

The horror-movie trope owes its heritage to Haitian slaves, who imagined being imprisoned in their bodies forever.

In the original script for 1968’s Night of the Living Dead, the director George A. Romero refers to his flesh-eating antagonists as “ghouls.” Although the film is widely credited with launching zombies into the cultural zeitgeist, it wasn’t until its follow-up 10 years later, the consumerist nightmare Dawn of the Dead, that Romero would actually use the term. While making the first film, Romero understood zombies instead to be the undead Haitian slaves depicted in the 1932 Bela Lugosi horror film White Zombie.

By the time Dawn of the Dead was released in 1978 the cultural tide had shifted completely, and Romero had essentially reinvented the zombie for American audiences. The last 15 years have seen films and TV shows including Shaun of the Dead, 28 Days Later, World War Z, Zombieland, Life After Beth, iZombie, and even the upcoming Pride and Prejudice and Zombies.

But the zombie myth is far older and more rooted in history than the blinkered arc of American pop culture suggests. It first appeared in Haiti in the 17th and 18th centuries, when the country was known as Saint-Domingue and ruled by France, which hauled in African slaves to work on sugar plantations. Slavery in Saint-Domingue under the French was extremely brutal: Half of the slaves brought in from Africa were worked to death within a few years, which only led to the capture and import of more. In the hundreds of years since, the zombie myth has been widely appropriated by American pop culture in a way that whitewashes its origins—and turns the undead into a platform for escapist fantasy.

The original brains-eating fiend was a slave not to the flesh of others but to his own. The zombie archetype, as it appeared in Haiti and mirrored the inhumanity that existed there from 1625 to around 1800, was a projection of the African slaves’ relentless misery and subjugation. Haitian slaves believed that dying would release them back to lan guinée, literally Guinea, or Africa in general, a kind of afterlife where they could be free. Though suicide was common among slaves, those who took their own lives wouldn’t be allowed to return to lan guinée. Instead, they’d be condemned to skulk the Hispaniola plantations for eternity, an undead slave at once denied their own bodies and yet trapped inside them—a soulless zombie.

After the Haitian Revolution in 1804 and the end of French colonialism, the zombie became a part of Haiti’s folklore. The myth evolved slightly and was folded into the Voodoo religion, with Haitians believing zombies were corpses reanimated by shamans and voodoo priests. Sorcerers, known as bokor, used their bewitched undead as free labor or to carry out nefarious tasks. This was the post-colonialism zombie, the emblem of a nation haunted by the legacy of slavery and ever wary of its reinstitution. As the UC Irvine professor Amy Wilentz has pointed out in her writing on zombies, on several occasions after the revolution Haiti teetered on the brink of reinstating slavery. The zombies of the Haitian Voodoo religion were a more fractured representation of the anxieties of slavery, mixed as they were with occult trappings of sorcerers and necromancy. Even then, the zombie’s roots in the horrors of slavery were already facing dilution.
It was in this form—Voodoo bokor and black magic—that the Haitian myth first crossed paths with American culture, in the aforementioned White Zombie. Although the film doesn’t begin to transform the undead in the way that Romero’s films and the subsequent zombie industrial complex would, it’s notable for its introduction of white people as interlopers in the zombie legend. It would take another few decades or so, but eventually the memory of Haiti’s colonialist history and the suffering it wrought—millions of Africans worked into the grave—would be excised from the zombie myth for good…

Which is a shame, because the zombie is such a potent symbol. For example, there’s a clear connection between the zombie of slave-driven Saint-Domingue and Ta-Nehisi Coates’s recent exploration of black disembodiment—the body under constant threat of capture, imprisonment, and murder. For Haitian slaves, the invention of the zombie was proof that the abuse they suffered was in a way more powerful than life itself—they had imagined a scenario in which they continued to be slaves even after death. In Between the World and Me, observing a young boy in front of a 7-Eleven, Coates writes, “This was a war for the possession of his body and that would be the war of his whole life.” The same declaration could be transported 1400 miles and 300 years and still hold true.

Instead American pop culture has used the zombie, fraught as it is with history, as a form of escapism, rather than a vehicle to explore its own past or current fears. Writing for GreenCine, Liz Cole is onto something when she says that, whatever their allegorical shadow, zombies are perhaps “indulging our post-apocalyptic fantasies” above all. Elmo Keep notes in The Awl how pop culture tends to romanticize depictions of the end of the world: In these situations, “Petty frustrations and mundane realities of real life all disappear, as do the complexities.” And so the zombie apocalypse isn’t an outlet for fears but for fantasies, functioning as an escape hatch into a world with higher dramatic stakes, fewer people, and the chance to reinvent oneself, for better or worse….Read the Whole Article Here


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Texas Man Fakes Anti-Police BLM Vandalism to Pro-Police Truck

This is how things started, stirring up the right wing with a pleas for money. Of course this hit the right wing media such as Brietbart, who couldn’t resist throwing the right wings racial boogeyman, the New Black Panthers into the mix. Other white supremacist conservative rags followed suit to maximize the whiterage. Fox News 4 fell for the scam with a fluff piece about the man’s son dreaming of becoming a policeman, and playing up the “fact” the man is supposedly as disabled veteran.

After an investigation, police found the man vandalized his own truck, in a bid to scam the public… He had raised $6000 on Go Fund Me, as well as garnered support from local repair shops and dealerships who volunteered to fix his truck for free. He really wasn’t after getting the truck fixed though…

Playing to right wing racist hate in this country has become a box office business.



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Congressional Black Caucus – Silicon Valley

This one from the guys who brought you the doctored Shirley Sherrod video, and the white pimp, James O’Keefe doctored videos on Acorn. So what I mean is, these guys aren’t exactly legitimate news people…Or legitimate much else for that matter.

In this article the Congressional Black Caucus is “threatening” Silicon Valley.


On Monday, the Congressional Black Caucus sent members to Silicon Valley to bully high-tech companies into hiring more blacks as part of their Tech 2020 Initiative.

According to KQED, North Carolina Rep. G.K. Butterfield, chair of the caucus, intoned, “Their Equal Opportunity Employment reports are embarrassing. It should be embarrassing to all of them. They have acknowledged they have shortcomings and want to partner with us to improve the results.  But all of them have a long way to go with diversity.”

Butterfield joined Rep. Barbara Lee (D-CA) and New York Rep. Hakeem Jeffries (D-NY) at various companies, including Apple, Google, Intel and SAP; on Tuesday they visited Pandora. On their tour, they spoke with Apple’s CEO Tim Cook and Intel’s CEO Brian Krzanich.

Apple acknowledged in 2014 that its employee base was 55% white, 15% Asian, 11% Latino and 7% percent black, prompting Cook to moan, “As CEO, I’m not satisfied with the numbers on this page.” KQED reported that 2% of Google Employees are black.

Jeffries threatened, “Many of these companies have issues before the Congress of the United States, and the relationship needs to be one of partnerships. We’re open to hearing the issues that they need to get resolved in order to put their businesses in the best possible position to be successful, but we want to make sure that everyone in this country has the opportunity to robustly pursue the American Dream.” Butterfield argued that the high-tech companies also function as federal contractors, adding, “And as such they have a responsibility first of all to be accountable to the federal government and also to be diverse in their workforce. We’re going to continue to challenge these companies until they get parity.”

Lee had already claimed the companies were federal contractors in May, stating, “Many of these companies are federal contractors, first of all, and they have an obligation to be inclusive. We want to see [diversity] plans from each company, and see how they’re going to invest.”

Google, Apple and Intel issued the necessary statements to appease the caucus; Yolanda Mangolini, Google’s director of diversity and inclusion, asserted, “We look forward to continuing conversations we’ve had in Washington with the Congressional Black Caucus and we welcome their visit. We share their commitment to enhancing the diversity of our organization and the tech industry more broadly.”

An Apple spokeswoman wrote, “We believe diversity is critical to making the best products in the world. It’s the reason we’re focused on changing the pipeline for the future workforce with programs like ConnectEd and also working to find the most diverse talent with programs like National Center for Women & Information technology and Thurgood Marshall College Fund. We look forward to continuing our work with the Congressional Black Caucus towards our shared goal of equal access to opportunities in technology.”

Now, to me at least – if you want those Tech Companies to hire black folks – you need know only three things. First, looking at the graduate degrees in Computer Sciences, black folks now graduate with about 12% of all Phd’s in the field… The problem?

Top universities turn out black and Hispanic computer science and computer engineering graduates at twice the rate that leading technology companies hire them, a USA TODAY analysis shows.

Technology companies blame the pool of job applicants for the severe shortage of blacks and Hispanics in Silicon Valley.

But these findings show that claim “does not hold water,” said Darrick Hamilton, professor of economics and urban policy at The New School in New York.

Meaning Apple’s line about the lack of talent and needing to “change the pipeline” is complete and utter bullshit. Why exactly didn’t these exalted Representatives “of the people” call them on it? Of course, with school segregation firmly in place in California under the guise of Prop 209, the vast majority of those black grads are coming from eastern schools, which don’t practice segregation.

Lastly – where are those jobs going? Try the H1b Program, where jobs which cannot be filled by the supposedly nonexistent Minority Graduates…

Are filled by Ivan from Russia, Wan from China, or Vishnu from India…At roughly 1/3 the salary.

So if the Congressional Black Caucus actually had anyone smart enough to diagnose the problem – or the cajones to do something about it… The solution is real easy.

Kill H1b. And watch the Republicans whine.

Come on down and get your black Yellowback Donkey Award!

Demo Yellow Donkey

Yellowback Donkey Award presented to the most cowardly and useless Democrats


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What Some Stars sound Like without Auto-Tune

One of the biggest frauds perpetrated on the listening public is Auto-tune and Voice-Over used in live concerts to make the artist sound a good as the studio. This video presents the actual sound track from the microphone during a Britney Spears performance. Judge the girls chops for yourself…

Now, no one has ever accused Britney of having a voice…Rapidly declining good looks and nice gams… But not pipes.

The ugly truth is virtually no one can maintain the breath control and pitch required to sing like Ella Fitzgerald while doing an aerobics routine. Meaning all of these high energy dance performances passing for concerts are conducted using voice over. Meaning if you are paying $200 to see some of these performers – that is exactly all you are getting. What you see on the stage is an attractive woman dancing in her underwear. What you hear was recorded in a studio -perhaps years ago – perhaps, but not necessarily by the artist who is dancing (Milli Vanilli ring a bell, anyone?).

Which leaves the question… Et Tu Beyonce?

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Posted by on October 20, 2013 in Great American Rip-Off


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Van Jones Destroys Tea Party Ted Cruz

Oh My!

This is a whuppin’.

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Posted by on October 11, 2013 in Great American Rip-Off


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